[PDF.80ms] Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording
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Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording
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| #1292471 in eBooks | 2014-03-03 | 2014-03-03 | File type: PDF||2 of 3 people found the following review helpful.| Excellent!|By Professor in socks|Grubbs' history and analysis of experimental music recordings is insightful, informative, and a great read.||
“The premise of [Grubbs’s] understandably authoritative first book is that experimental music’s flowering in the 1960s . . . was incompatible with the limitations of orthodox recording formats. . . . With an engaging frankness . . . Grub
John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, ...
You easily download any file type for your gadget.Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording | David Grubbs. Just read it with an open mind because none of us really know.