[PDF.37ht] Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
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Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
Andrew V. Uroskie
[PDF.do33] Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
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| #1455853 in eBooks | 2014-02-27 | 2014-02-27 | File type: PDF||1 of 1 people found the following review helpful.| College Art Association Review|By Florian|http://www.caareviews.org/reviews/2407
In the closing pages of his fine book Between the Black Box and the White Cube: Expanded Cinema and Postwar Art, Andrew V. Uroskie delivers a vivid explication of Ken Dewey’s multimedia project Selma Last Year (1966). With this work, Dewey proposes to redefine the social character||
“Between the Black Box and the White Cube rescues critically neglected and under-recognized work by artists who embraced media, especially film, at times and in contexts that proved inhospitable to intermedia art. Andrew Uroskie writes with a
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art.
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You can specify the type of files you want, for your device.Between the Black Box and the White Cube: Expanded Cinema and Postwar Art | Andrew V. Uroskie. I was recommended this book by a dear friend of mine.
